As a collector, I have a deep appreciation for the value of art in our world. I’ve always loved the universal language of photography, the richness of story and the broad interpretation of the craft. But I remained noncommittal. It then occurred to me that, in museums and contemporary galleries around the world—size resonates on a powerful level. The right photograph, when viewed on a grand scale, completely transforms the experience.
When photographers show their work, size is largely dictated by the cost of printing, framing and shipping. The power of an approaching storm when viewed at 20″ x 30″ simply does not convey the impact of a 60″ x 80″ immersive experience.
So I started Captured52, to provide artists with the opportunity to sell bigger work and to simplify the process for people to explore and acquire unconventional, large scale, museum quality photographs at a fair price. I focused on curating a portfolio of stand alone images that I felt were especially compelling at scale — 52 images, 52 invited photographers, 52 weeks per Season.
At the end of five Seasons, with 260 uniquely compelling images as our foundation, we added Bodies of Work, growing our portfolio to over 400 original photographs from 218 invited photographers in 48 countries.
It is the work of these artists that differentiates Captured52. Without them, and without you, we would not be. Your support of their work, supports their pursuit and allows us to grow. For that we are truly grateful.
We’re a small team dedicated to the stories that challenge, resonate and endure. Important work backed by a standard of quality and service that has earned the trust of collectors, designers and architects worldwide.
My hope, is that you find true value in the singular power of the piece.
Peter Johnson